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Whether seen during the day, with the thronging crowds flocking to see the great Buddha which the hall contains, or at night, when the massive structure is illuminated in a ghostly light, Todai-ji temple succeeds in impressing the visitor with its sheer immensity. Built as the culmination of efforts to make Buddhism the
national religion of Japan, Todai-ji was A building of this size, however, immediately begs the question of just what it contains, and in this case the contents are no less surprising than the vessel. The Daibutsu-den houses the renowned statue of the Vairocana Buddha, which stands at an impressive 48.91ft (14.98m) tall and weighs over 380 tonnes. It is one of the world's largest gilded bronze Buddhas, and is most certainly the largest in Japan. The combination of records which Todai-ji holds makes it
a strange example among the normally sedate and understated temples of
this country. Compared with the calm rock gardens of Ryoan-ji, the quiet
strolling gardens of Ginkaku-ji and the densely treed precincts of Nanzen-ji,
Todai-ji seems to reflect a very Chinese influence that was a part of
early Buddhism in Japan. It also symbolizes the early ties that the religion
had with the state, as everything in the temple was clearly built to impress;
the biggest Buddha in the biggest hall, with the biggest The Emporer who had ordered the construction of Todai-ji had, at one point, described himself as Buddha's 'servant'; a statement which he later equivocated because of its implications regarding his own authority. Though Buddhism was enthusiastically welcomed and promoted by the Court at this time, there was also the understanding that Imperial authority relied upon the continuity of Japan's native religion - Shinto - and the Emperor's role as the living Godhead of that religion. All of this makes Todai-ji an incredibly interesting place to visit. It is a shining product of a time when Buddhism enjoyed the full favour of the state, and as such is an interesting contrast to temples such as Kyoto's Enryaku-ji, most of whose original 3,000 temple buildings were put to the torch by the government in order to trim its influence. |