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Kyoto was home to the Imperial court for over 1000 years, until the capital was moved to Tokyo during the Edo Period. The Imperial Palace was first built in 794, but like so many of the ancient structures here, was ravaged repeatedly by fires throughout the ages. The current structure was built in 1855, and although the buildings are no longer used by the Imperial Family, the Palace is still used during enthronement ceremonies.
Security is fairly tight at the Palace, and unlike most historical sites where you can stroll about and see everything at your leisure, you must register your passport and apply for permission to join one of the guided tours of the Palace.
The Imperial Palace lies amid a massive expanse of parkland that is directly in the middle of Kyoto. Although the city now sprawls out as much as the surrounding mountans will allow, it was once centred on the Palace itself. The result is a surprisingly large spread of trees and pathways in what must be the most valuable real estate in the city.
The Imperial Palace also play host to a number of events and festivals throughout the year, the most significant of which is October's Jidai Matsuri which is one of Kyoto's big three festivals. The Palace buildings themselves are nestled in behind high, protective walls that shield them from view until you are admitted into the compound. Once inside, though, one is able to see the full beauty of the Palace grounds. That being said, however, one of the most striking things about the palace was the understated charm of the place. Far from being gaudy displays of the wealth and power of the Emporer, the Palace is made up of the same low slung buildings that were typical of that age. The most captivating parts of the tour, for me, were the gardens that surrounded the Palace buildings. As it was so difficult for the Emporer and the members of his court to travel, the gardens of the Palace were meant to simulate different aspects of the countryside. The results are spectacular representations of beaches, forests and lakes all blended seemlessly together so as to appear almost completely natural.
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